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I recorded these sessions using my new HD Native rig, and Avril’s Musical Director, Steven Falazo, would come into the control room to listen. I armed the tracks, hit the spacebar and was off and running recording HD Files on my laptop without a hiccup.īefore Avril even came into rehearsal, the band needed to work out various arrangements and an intro for the show.
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I created my 48 tracks, went to the I/O page and visually confirmed that my inputs were sourcing from the VENUE Stage Rack. PT launched and recognized the HD interface right away. The HD Native box has two ports on the back which connect to the two ports of the VENUE HDx Option Card in the Profile System-each port handles 32 channels of audio, for a total of 64 channels of recording and playback. The first day of rehearsals was a great day to try everything before everyone arrived. We set up and rehearsed for a week at Third Encore in Burbank. If you’re not familiar with this latest version, do yourself a favor and download the 30-day free demo.
#AVRIL LAVIGNE LET ME GO 16BIT PRO#
Some of the new features in Pro Tools 11 software are mind blowing. And it goes without saying that the audio quality is hands down second-to-none with great headroom.
#AVRIL LAVIGNE LET ME GO 16BIT PORTABLE#
It’s a win-win for me since I am always on a plane or tour bus, so being so small and portable is a huge benefit for me. It’s simply amazing that I can show up with a fully functional HD rig in my backpack. As we were going into rehearsals I brought up the ability to record and review with management, and the verdict was a big “YES!” Another personal favorite feature of this desk is the ability to multi-track record to Pro Tools with ease. Not trying to start a debate-just stating my personal opinion. I have used many digital mixers and have found over the years that the VENUE workflow is my personal favorite. It’s a great sounding desk with the opportunity via plug-ins to bring various studio elements to the arena. The first thing I did was to spec an Avid Profile for my mixing desk. This would be along the line of the band Paramore that I used to mix. Since I come from a background of Pop/Punk mixing, the approach was a bit the same-mix it with a big rock sound but with a polished Pop, up-front vocal.
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When I got hired on to mix FOH for this tour, Avril and I talked about what she was trying to achieve sonically. I’ve recently been mixing front of house for Avril Lavigne’s South American/Mexico tour and want to share an inside look at how I mix and the preparation that went into getting this tour up and running. Greetings! I’ve been a longtime customer of Avid live and studio products.